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British electronic player (born 1971)

Aphex Twin
James performing in March 2007

King James performing in Marchland 2007
Backclot information
Birth name Richard David James
Also familiar as
  • AFX
  • Blue Calx
  • Bradley Strider
  • Caustic Window
  • GAK
  • Q-Chastic
  • Phonic Boy on Cola
  • Polygonal shape Window
  • Power-Pill
  • Smojphace
  • Soit-P. P.
  • The Dice Man
  • The Tuss
  • user18081971
Born (1971-08-18) 18 August 1971 (age 50)
Limerick, Ireland
Beginning Cornwall, England
Genres
  • Electronic
  • techno
  • close
  • jungle
  • IDM
  • experimental
Occupation(s)
  • Musician
  • composer
  • DJ
Instruments
  • Synthesiser
  • piano
  • turntables
  • drum machine
  • sequencer
  • sampler
  • laptop
Long time active 1985–ubiquitous
Labels
  • Buckle
  • Sire
  • Rephlex
  • Apollo
Associated acts
  • Universal Indicator
  • Mike & Ample
  • Squarepusher
  • Gospel of Luke Vibert
Internet site aphextwin.warp.net

Musical artist

Richard David James (born 18 August 1971), best known by the alias Aphex Twin and to a lesser extent prominently as AFX,[1] [2] [nb 1] is a British musician, composer and DJ.[3] He is best known for his idiosyncratic work in physics styles much as techno, ambient, and hobo camp.[11] Music journalists from publications including Mixmag, The Sunrise House of York Times, NME, Fact, Clash and The Guardian take over titled James one of the nearly influential or important contemporary electronic musicians.[23]

Raised in Cornwall, James began DJing at free parties and clubs in the area in the late 1980s, and ulterior at venues around the West Country.[24] His entry EP, Linear Bubblebath, was released in 1991 on Mighty Force Records. It brought James acclaim and a religious cult pursuing; helium began to execute at techno clubs and raves across the UK and geographic region Europe.[25] [26] James I cobalt-founded the absolute label Rephlex Records the same year.

James's 1992 debut album Selected Ambient Whole works 85–92, free by Belgian judge Apollo, garnered wider critical and democratic appreciation. That year, He too appeared on the influential Warp Records compiling AI.[27] He sign-language to Warp the following year and later on released charting albums such as ...I Care Because You Do (1995) and Richard D James Record album (1996), equally well American Samoa Top 40 singles "On" (1993), "Come up to Daddy" (1997), and "Windowlicker" (1999). With music videos directed away Chris Merce Cunningham, "Come to Daddy" and "Windowlicker" brought James significantly wider international attention.

Aft releasing Drukqs in 2001, James spent several years releasing music happening his own Rephlex label, including the 2005 Analord EP series, and a twain of 2007 releases under the alias the Tuss. In 2014, helium made available a antecedently unreleased 1994 LP American Samoa Caustic Windowpane. He returned later that class with the record album Syro, which won the Grammy Award for Best Trip the light fantastic/Lepton Album. He has since released charting EPs including Cheetah (2016) and Cave in (2018).

Old life [edit out]

James grew up in Cornwall (pictured: Cornwall's Chapel service Porth, seen on the cover and referenced in the lining notes of James's 1993 album Surfing on Sine Waves).[28]

James was Born on 18 August 1971[29] in Limerick, Ireland.[30] He has said that he had a stillborn older chum also named Richard whose name he inherited.[31] [32] In a 1997 audience with Alternative Fourth estate, James stated that this death occurred while his family had moved to Canada in 1968 for mining bring on; information technology led his female parent to reuse the name because "she didn't want to accept the demise of the child."[33] James grew up in Cornwall,[28] where he lived in Lanner while attending Redruth School in Redruth.[34] James aforesaid he liked growing awake there, "cut remove from the City and the rest of the world".[34] He became interested in making sounds before writing music, and equally a child he played with the string section inside his family piano and disassembled tape equipment.[35] According to James, at age 11 he produced sound on a Sinclair ZX81, a home computer with no sound hardware: "I played around with machine code and found more or less codes that retuned the TV signal so that IT made this really weird noise when you turned the volume up."[36] James states that he bought his first synthesizer at historic period 12 and after taking an interest in electronics would modify analogue synthesisers "and junk" to make noise.[35]

James began making music aged 14,[34] partially as a refuge from the "bloody awful" Jesus and Mary Strand albums played by his sister.[37] Cornwall had few record shops, but a thriving nightlife in which virulent house was democratic.[34] James claimed to have been making music with similarities to acid and techno for years earlier hearing the genres, major him to buy every record he could find in the styles.[38] In his late teens, James II began DJing at clubs and raves, and included his own tracks in his sets.[34] He studied at Cornwall College from 1988 to 1990 and graduated with a Home Sheepskin in engineering.[29] Reported to peerless lecturer, he often wore headphones during hardheaded lessons and had a "large-hearted of mystique or so him ... I think some of the other students were a bit in fear of him."[29]

Vocation [edit]

1988–1991: Cornish free parties, Rephlex Records and first releases [edit]

In the late 1980s, James became involved in the Cornish costless political party scene, putting connected raves at "secret coves along the coast and behind sand dunes".[39] The first party He DJed at was in a b in 1988.[40] Parties were also known to occur at Gwennap Oppose.[41] They mainly attracted local youths and travellers, with entrance donations taken in cannabis. The tight-knit community would also set back on nights at small clubs in towns around the county, including St. James Ives, Porthtowan, and St Austell. James would afterward refer to this scene as the "best he's always been involved in".[24] [34]

James started a regular Disk-jockey slot in 1989, playing alternate weeks at The Bowgie nightspot in Crantock. There He met Tom Middleton and Grant Wilson-Claridge.[42] Affected by James' music, Middleton played a tape James had granted him to some other free party organiser in Exeter, who eventually convinced James to release a record on his fledgling record label Mighty Force Records.[43] William James was initially defiant, but patc William James was tripping along acid backstage at a DJ fishgig, Darby and Middleton were able to convert James to relinquish the record. Darby later said "I think if He had not done that jaunt that night there may own never been any Aphex Mate."[43] Epistle of James has presented a quasi account: "they made ME sign-language the shorten when I was off my boldness. I was tripping and they're waving this money and a pen at me. Information technology's a second clichéd but it's the way they got me to sign."[44] Also impressed by James' music, Wilson-Claridge suggested they practice some money he inherited to create a record label to eject James' music. He and James founded Rephlex Records in 1991.[34]

James' first release was the 12" EP Parallel Bubblebath, released on Mighty Force in Sep 1991.[45] The EP made the playlist of Osculation Atomic number 100, an influential London radio station, giving it wide exposure in the danceroom music scene.[46] In 2022, The Guardian called the release one of the key moments in the history of dance music.[47] The record caught the ear of Renaat Vandepapeliere, the head of R&ere;S Records, at that time one of the major European rave labels. James visited him in Belgium, delivery with him a box full of cassettes of his music. From these cassettes they picked out tracks for two records, including James' kickoff album Selected Ambient Works 85-92.[48] [49]

In 1992, as word of his 12" records spread, King James started performing at London techno events like formative golf-club Knowledge, held at the SW1 club in London's Victoria, and the influential night Bewildered.[50] [51]

In 1991 and 1992, James released three Analogue Bubblebath EPs, cardinal EPs As Caustic Window, the Red EP as part of the Universal Indicator integrative, on with the Digeridoo and Xylem Tube EPs on the R&S label. Although he emotional to London to take an electronics course at Kingston Polytechnic, he admitted to David Toop that his electronics studies were slipping away as he chased a life history in techno.[52]

1992–1994: Selected Ambient Works and early success [edit]

The first full-length Aphex Twin album, Selected Ambient Works 85–92, comprised material dating back to James' teen old age. IT was released in November 1992[53] by Apollo Records, a subsidiary of Belgian label R&S. Can Bush of Allmusic would later report the release as a turning point moment in ambient music.[4] In a 2002 Rolling Stone record review Pat Blashill noticeable that Aphex Twin had "expanded way beyond the ambient medicine of Brian Eno by fusing lavish soundscapes with oceanic beats and low lines," demonstrating that "techno could be more than druggy dance euphony".[54] Authorship for Pitchfork in 2002, David Pecoraro called IT "among the most newsworthy music ever so created with a keyboard and a computing device".[55] DJ Magazine's Ben Murphy named it "a seminal record in the IDM, close and experimental canon".[56]

In 1992, James besides released the EPs Digeridoo and Xylem Subway EP As Aphex Twin, the Pac-Man EP (an album of remixes of Pac-Man music) as Big businessman-Contraceptive pill, cardinal of his four Joyrex EPs (Joyrex J4 EP and Joyrex J5 EP) A Caustic Window, and Analogue Bubblebath 3. "Digeridoo" reached #55 on the U.K. Singles Chart, and was later described by Rolling Stone as foreshadowing drum and basso.[57] [58] That year, helium also appeared A The Dice Man on the Warp Records compilation AI with the track "Polygon Window;" the compiling would helper birth the musical genre later o known as "intelligent ballroom music" and help set up the career of Aphex Twin alongside Autechre and Richie Hawtin.[27] In 1993, there followed his first releases on Distort: Surfing on Sine Waves (the ordinal entry in the label's Artificial News series)[59] and the EP Quoth, as Polygon Windowpane, and later o in the yr the "On" EP, which entered the top 40 on the Great Britain charts.[60] Rephlex as wel put out an EP by James under the alias Bradley Strider, Thomas Bradley's Robot, and two more Caustic Window records.

James was part of several tours in 1993. He supported the Globe on several dates, and joined the "Midi Circus" tour at venues crossways the United Kingdom of Great Britain and Northern Irelan, co-headlining with Cavum, the Orb and Drum Nightclub.[61] [62] Afterward in the year, he was part of the NASA "See the Nonfat" tour with Orbital and Moby at venues across the Western United States.[39]

Warp released the back Aphex Twin album, Selected Ambient Works Volume II, in 1994, which explored a more close sound, inspired by luculent dreams and synaesthesia. Information technology reached number 11 in the United Kingdom charts,[63] but was not particularly well received critically; critic Simon Reynolds later noted that "many in the Aphex cult were thrown for a loop" and that "Aphex aficionados persist divided".[64] Other 1994 releases were a fourth Analogue Bubblebath, GAK (derived from early demos sent to Buckle), and Classics, a digest album.

1995–2000: ...I Maintenance Because You Arrange, Richard D. James Album and Come to Daddy [edit out]

For his charting 1995 record album ...I Care Because You Do, [65] poised between 1990 and 1994 in a range of styles, James used an fancy of his face for the cover, which became a motif on his later releases. Helium commissioned Western sandwich classical-music composer Philip Glass to create an orchestral version of the ...I Care Because You Do track "Icct Hedral", which appeared connected the Donkey Rhubarb EP.[66] In the same year, James released his Hangable Auto Bulb EP under the name AFX, which spearheaded the short-lived drill 'n' bass voice style.[67] [38]

Richard D. James Album, William James' fourth studio album as Aphex Twin, was released on Warp in 1996. It features software package synthesisers and spaced-out rhythms. Will Hermes of Spin discussed James' economic consumption of jungle elements, composition that "by applying junglist strategies to his own obsessive sound existence - his gorgeous weirdie palette of modernist strings, whirring crib toys, and agitated machines - he remakes drum'n'bass in his have mental image".[68] In a Pitchfork list of the best albums of the 1990s, Eric Carr wrote that Richard D. James Album incontestable "aggressive combinations of disparate electronic forms", with an "nigh-brutal demarcation between its elements" that has ensured its relevance.[69] In 2003, NME named it the 55th greatest album ever,[70] and in 2009 Pitchfork named it the 40th sterling album of the 1990s.[71]

James garnered attention the following year after the release of his charting Come to Daddy EP.[72] The title track was conceived as a death bimetal parody. Accompanied with a successful euphony video recording directed by Chris Cunningham, James became disillusioned aside its success: "This tiny idea that I had, which was a joke, revolved into something huge. It wasn't right at whol."[73] It was followed aside "Windowlicker", a charting single[74] promoted with another Cunningham music video, nominated for the Brit Grant for Best British Video in 2000.[3] [73]

2001–2009: Drukqs, Analord and the Tuss [edit]

In 2001 Aphex Twin free Drukqs, an experimental three-fold album featuring abrasive, meticulous computer programing and computer-controlled piano influenced by Erik Alfred Leslie Satie and John Cage. It features the piano composition "Avril 14th", which remains perhaps James's unexcelled known work.[75] The album polarised reviewers. James told interviewers he had accidentally left an MP3 histrion with new tracks on a plane, and had rushed the album release to preempt an internet leak.[76]

In 2001, James also released a short EP, 2 Remixes By AFX, with remixes of songs by 808 Tell and DJ Pierre. It likewise had an untitled third track, consisting of a SSTV image with high-inclined sounds which ass atomic number 4 decoded to a viewable image with appropriate software. In 2002, James was nominated for the Briton Award for Best British Male.[3]

In 2005, Jesse James released a series of vinyl EPs under the AFX name, Analord, created entirely with analogue equipment. These were followed in 2006 aside a compilation record album of Analord tracks, Chosen Lords. [77] In 2007, James released ii records happening Rephlex, Confederation Trough and Rushup Edge, below the alias the Tuss, Cornish slang for "erecting". Media sources speculated about Saint James the Apostle's involvement, but his identity was not confirmed until 2014.[78] [79]

In 2009 Rephlex Records free appendage versions (in the FLAC file format) of the 11 Analord eps. Each of them (omit for Analord 10) had bonus tracks, totalling 81 minutes of new music betwixt them all. Richard subsequent disbanded Rephlex Records, removing the website completely.

In 2010, James said he had completed six unweathered albums, including a newfound version of the unreleased Melodies from Mars.[80] In September 2011, he performed a live protection to the Polish composer Krzysztof Penderecki; he performed his remix of Penderecki's "Threnody to the Victims of Hiroshima" and a version of "Polymorphia".[81] The following calendar month, he performed at the Paris Fork Euphony Festival.[82]

2014–present: Caustic Windowpane, Syro, and return equally Aphex Twin [edit]

Street artistry promoting the Syro album in Greater New York.

In 2014, a quiz urgent of a 1994 record album recorded under James's pseudonym Caustic Window appeared for sale happening Discogs. The album was once intended for sale on James's label Rephlex, but went unreleased. With the consent of James and Rephlex, fans organised a Kickstarter campaign to leverage the record and distribute copies.[83]

Syro, the first album discharged under the Aphex Twin name since Drukqs in 2001, was released by Warp on 23 September 2014. It was marketed by a teaser campaign including graffiti, a blimp flown over London, and an announcement made via a .Allium cepa dea accessible through the darknet browser Tor.[84]

In November 2014, James released a set of 21 tracks, Modular Trax, on the audio program SoundCloud. The tracks were by and by removed.[85] Over several months in 2022, James anonymously uploaded 230 demo tracks, some geological dating to the 1980s, to SoundCloud.[86] He said he had released the demos to relieve his family of the press to release his archives after atomic number 2 dies.[87] He has continued to occasionally release tracks on the account.[88]

On 23 January 2022, Epistle of James discharged Computer Controlled Acoustic Instruments pt2,[89] created with robotic instruments including the Disklavier, a data processor-controlled mechanical piano.[90] On 8 July 2022, he released the Cheetah EP, razor-backed past a music video for "CIRKLON3 [Колхозная mix]", the first official music video for an Aphex Twin track in 17 long time.[91] Along 17 December, James performed in Houston, Texas at the Day for Night fete, his eldest American appearance in eight days. An untitled 12-in vinyl was oversubscribed exclusively at the fete, containing two 10-careful tracks.[92] On 3 June 2022, James performed at the Field Day festival and released a limited edition EP, London 03.06.17.[93] On 19 June 2022, a Michigan record store sold an exclusive Aphex Twin record comprising two tracks released along SoundCloud in 2022.[94] On 27 July, Aphex Twin opened an online stash awa with enlarged versions of premature albums and new tracks.[95]

Aphex Twin released an EP, Collapse, on 14 September 2022.[96] The EP was announced on 5 August in a disjointed press release written in broken in English and visually distorted with the same Aphex Twin 3D graphic found in John Griffith Chaney, Turin and Hollywood.[97] A promotional video for the Give EP was to exist broadcast connected Adult Swim, but was cancelled after failing the Harding test. IT was made available online rather, and the video for "T69 Collapse" was uploaded to YouTube.[98] [99]

On 20 October 2022, Novation Whole number Medicine Systems released the AFX Station analog synthesist together with Jesse James,[100] which was followed by the expel of an AFX Station presets pack of over 300 patches from Ultimate Patches.[101]

Mellifluous style and influences [blue-pencil]

Authorship for AllMusic Gospel According to John Bush describes James as a "pioneer of experimental techno" who has "perpetually pushed the limits of what behind be established with physics equipment, resulting in send on-mentation and emotionally piquant work that ranges from sublime, pastoral ambience to wild head-rush acid techno".[4] In a 1996 review, The Independent's Angela Lewis known as him a "maverick of 1990s electronica [who] exemplifies the finest traditions of British pop mischief".[102] According to Fact magazine, James has "carved out his personal space in the account of electronic music" across several genres, with his unique melodies existence "the intellect he's talked about as not meet an electronic groundbreaker but as the sphere's definitive creative person".[5] In 2014 review in the Fiscal Times, Ludovic Hunter-Tilney delineate King James as a "honeyed maverick" notable for "yoking different elements together in unpredictable formulations" and merging "hard beat generation and uncanny tones; difficult abstraction and populist melodies".[103] Medicine publications have described James variously as "the Mozart of" some techno and ambient.[107] Writing in The Guardian in 2001, Paul Lester identified James's lineage as "electronic greats" including Karlheinz Stockhausen, John Cage, Kraftwerk, Brian Eno, and Derrick May.[18]

I could just lock myself away for days and get inspired by myself. That's my favorite way to do it. It's Thomas More like a pure form of motive when IT's all on your own. But you have to wait until you'rhenium really bored and you've got nothing to do. That's when information technology comes out. That's when I reckon it gets good.

—James in a 1997 interview with Perfect Legal Always.[108]

James had no formal music breeding and is largely self-taught.[18] Prior to becoming a producer, James washed-out his teens modifying analogue synthesisers and became "addicted to qualification noises," only later becoming "interested in hearing to other people's stuff".[35] James states that helium spent his initial years "unknowing of music, apart from acid and techno, where I bought roughly everything".[35] Atomic number 2 claimed to have been severally devising music similar to dot and techno before encountering the styles, and later became overenthusiastic astir them.[38] He has cited 808 Nation's 1988 unveiling album Newbuild as a major early inspiration.[109] In a 1993 question, James identified voluntary sleep deprivation as an influence along his productions at that time.[35] He besides claimed to rich person recorded o'er thousand unreleased tracks.[35] He later said he experienced synesthesia and utilised lucid dreaming as a substance of developing compositional ideas.[110] Some of James's archaeozoic work was compared to Brian Eno's close releases, but Epistle of James claimed not to have heard Eno in front he began recording.[111]

In a 1993 interview, Simon Reynolds noted that James had only latterly explored avant-classical and odd-bailiwick rock artists including Cage, Stockhausen, Eno, Stephen Michael Reich, Terry Riley, and Lavatory, and had spent a mate of years "catching up" on other genres outside techno and house.[35] In 1997, James described himself as a lover of "old tape and vanguard medicine" such A Stockhausen's "Song for the Young" and the work of American composer Tod Dockstader.[108] When James began programming faster, jungle-inspired breakbeats in the mid-1990s, he named friends and blighter musicians Luke Vibert and Tom Jenkinson as influences.[108] In a 2014 interview, James aforesaid of jungle that "I still imagine it's the ultimate genre, really, because the people making it weren't musicians," and noted that "for years, I could listen to jungle and ding things from them, only they didn't know I existed."[112] Along with Vibert and Jenkinson, James helped to spearhead the transient drill 'n' bass panach, which exaggerated elements of drum and deep, on his Hangable Auto Bulb EP (1995).[67] [38] Acknowledging some other influence, James's Rephlex mark released Music from the BBC Radiophonic Workshop, a compilation of music recorded by the pioneers of the BBC Radiotelephonic Shop.[113] In 2022, he described Kraftwerk as a major charm.[114] He has also named workings by Erik Satie, Drexciya, Ween, Serge Gainsbourg, and Les Baxter among his favorite albums.[115] Although he said he disliked "rock and wrap up", he appreciates LED Zeppelin (as a source of "great breakbeats"),[116] and Pinkish Floyd (for their psychedelic music).[116] Asked in 2011 about an artist he would like to work with, James I named Kate Bush.[117]

Rephlex Records, which King James co-owned with Grant Wilson-Claridge, coined the word "braindance" to describe Aphex Couple's music.[118] According to the label: "Braindance is the literary genre that encompasses the best elements of completely genres, e.g. longstanding, classical, electronic music, popular, modern, industrial, ambient, rose hip-hop, electro, house, techno, breakbeat, hardcore, ragga, garage, tympan and bass, etc."[119] According to Pitchfork's St. Paul Cooper braindance "free the mind/body binary opposition of electronic music" while retaining its social club roots.[120]

James' music has often been characterised as an example of the "intelligent dance music" that began in the 1990s.[12] [4] [121] IDM is mentioned on the home Sri Frederick Handley Page of the Intelligent Dance Music (IDM) posting list at Hyperreal.org about the music of Aphex Twin and the Artificial Intelligence Series free past Warp Records.[122] The series features Saint James' recordings arsenic Polygon Window and early productions from artists including Autechre, Black Dog, Richie Hawtin's FUSE project and Speedy J. The term spread to the The States and internet message boards. James responded to the IDM term in a 1997 interview:

I just think it's really funny to have terms like that. Information technology's fundamentally expression, "this is intelligent and everything else is stupid." IT's really nasty to everyone else's music. (laughs) It makes me laugh, things like that. I don't enjoyment name calling. I just say that I like something Beaver State I don't.

Image and pseudonyms [edit]

James' face, grinning or distorted, is a subject of his album covers, music videos and songs. James aforementioned IT began arsenic a response to techno producers who concealed their identities:

I did it because the thing in techno you weren't purported to do was to be acknowledged and gormandise. The sort of unwritten rule was that you can't put your face on the arm. It has to cost like a electric circuit board OR something. Therefore I assign my chee on the sleeve. That's why I earlier did IT. Then again I got carried away.

The cover of ...I Care Because You Do features a somebody-portrayal painted by James, and that of Richard D. James Album has a intimate-risen pic. His face is layered on the bodies of other people in the music videos for "Revive Daddy" and "Windowlicker". Near the end of the endorse track of the "Windowlicker" single (called "Equation"), a photo of James' face is a steganogram which is revealed as a spectrogram.[123] Some other image of James I and collaborator Tom Jenkinson is embedded (in SSTV format) with textual matter in the third track of 2 Remixes by AFX, "Incentive High Frequency Sounds".[ commendation needed ]

James has recorded as AFX, Bluish Calx, Thomas Bradley Strider, the Universal Index, Caustic Window, Smojphace, GAK, PBoD (Phonic Son along Mary Jane), Polygon Window, Power-Oral contraceptive, Q-Chastic, Dice Man, the Tuss, Soit-P.P and user18081971.[124] [125] [126] [127] In a 1997 interview, helium said: "There's really nobelium big possibility. It's just things that I feel right in doing at the fourth dimension and I really wear't have intercourse why. I select songs for sure [names] and I just do it. I don't experience what it means."[128] In 2001, he commented on the speculation contiguous to many anonymous electronic artists: "A spate of people think everything electronic is mine. I get credited for so many things, IT's unconvincing. I'm practically everyone, I suppose—everyone and nobody."[73]

Influence and bequest [edit]

Writing in The Tutelar in 2001, journalist Paul Lester represented William James as "the most originative and influential material body in contemporary electronic music".[105] Resonant Stone delineate James as a "hugely potent electronic musician whose ambient washes of sound and freakishly twisted beats have gone on to inform artists of all genres."[129] AllMusic's St. John Bush wrote that "unlike most artists who emerged from the '90s techno scene, William James foreign himself as a genuine personality, known for his cheeky grin and incubus-inducement music videos as much equally his groundbreaking albums and EPs," which helped to "expand his audience from ravers and critics to rock 'n' roll fans, with numerous non-electronic musicians citing him every bit an inspiration".[130]

In 2001, Thomas Bangalter of Daft Toughie cited Aphex Twin (particularly "Windowlicker") as an shape on their 2001 album Discovery. Bangalter same he liked it because "It wasn't a big club beat, but information technology also wasn't a ordered back, inaudible one".[131] Artists including Microphone Edwards of Jesus Jones,[132] Reich,[133] Wes Borland of Weak Bizkit,[134] Skrillex,[135] Microphone Shinoda of Linkin Park,[136] Hotdog Chili Peppers guitarist John Frusciante,[137] Kevin Parker of Tractable Impala,[138] and Dent Zammuto of the Books[139] have expressed wonderment for Aphex Twin Falls or cited him as an influence.

James influenced Radiohead's changeover to electronic medicine for their 2000 album Kid A.[140] In 2013, Radiohead singer Thom Yorke named Aphex Counterpart as his biggest regulate, saying: "He burns a heavy fantas ... Aphex opened up another public that didn't involve my fucking galvanizing guitar ... I hated the Britpop thing and what was happening in America, merely Aphex was wholly beautiful, and he's kinda my long time too."[141] In 2002, asked if he would tour with Radiohead, King James said "I wouldn't play with them since I don't like them".[142] However, King James I stated in a 2011 interview with Polityka that "[his] dislike of Radiohead has been exaggerated" by the press.[143]

In 2005, Appal Bequeath Sound free Acoustica: Alarm Bequeath Sound Performs Aphex Twinned, featuring natural philosophy arrangements of James' electronic tracks.[144] The London Sinfonietta performed arrangements of Aphex Twin songs in 2006.[145] Animator David Firth sampled Aphex Twin in his work.[146] In 2012, Fact onymous Selected Ambient Works 85–92 the best album of the 1990s.[147]

Personal life [edit]

James has been known to make "wild and in essence unverifiable claims" about his grammatical category life in interviews, including the call that he inherited the cite of a dead older brother.[112] He has described himself as "just some irritating, fabrication, pep jolly from Cornwall WHO should possess been locked up in some youth detention centre. I just managed to escape and blag it into music."[18] In a 1993 interview, he claimed to only sleep 2 to trinity hours per night.[35] In the mid-1990s, James bought a obsolete deposit in the Elephant & Castle area of London, where atomic number 2 claimed to live in a converted bank vault.[31] Atomic number 2 falsely claimed in a 2001 interview to have bought the steel structure in the centre of the Elephant Square roundabout, though this is as a matter of fact the Michael Faraday Memorial which houses an electricity substation for the London Underground.[148] In the 1990s, James bought a 1950s armoured car, complete with a working automobile gun, which He claimed to drive more or less Cornwall in stead of a railcar.[149] [31]

In a 2010 interview with Fact, Saint James the Apostle aforementioned atomic number 2 is living in Scotland later relocating from London.[150] Atomic number 3 of 2014[update], he lives in Scotland with his 2 sons from his initiatory marriage[121] and his second wife, a Russian art student.[151] His sister Julie James is a Welsh Dig pol WHO was appointed the Cambrian Minister for Mood Change in 2022.[152] [153]

Awards [edit]

Yr Awards Class Work on Result
1998 MTV Video Music Awards Uncomparable Special Effects "Come to Daddy" Nominated
D&Advertizement Awards Pop Promo Video recording with a budget complete £40,000 Yellow Pencil
Commission Yellow Pencil
MTV EEC Medicine Awards Best Video Appointed
1999 "Windowlicker" Nominated
Prix Ars Electronica Integer Music Himself Won
Online Music Awards Unsurpassed Physics Fansite[154] Nominated
2000 Brit Awards Best British Video "Windowlicker" Nominated
D&adenosine monophosphate;AD Awards Direction Icteric Pencil
Editing Yellow Pencil
NME Awards Single of the Year North Korean won
Best Dance Act Himself Nominated
2002 Nominated
Brit Awards British Masculine Solo Artist Nominated
Shortlist Medicine Prize Album of the Twelvemonth Drukqs Appointive
2005 Antville Medicine Video Awards Best Video "Arctic Johnny" Nominated
2014 Rober Awards Music Poll Best Male Artist Himself Nominated
Comeback of the Yr Nominated
Best Electronica Won
2015 Grammy Awards Best Trip the light fantastic/Electronica Album Syro Won
International Ballroom music Awards Best Full Distance Studio Transcription Nominative
Aepyceros melampus Awards Album of the Year[155] Nominated
Mercury Prize Album of the Twelvemonth Appointed
A2IM Libera Awards Nominated
Inventive Packaging Awarding Won
Marketing Genius Syro album release campaign Appointive
2016 Brit Awards British Virile Solo Artist Himself Nominated
2018 Rober Awards Music Poll Sunday-go-to-meeting EP Collapse Nominative
Best Art Vinyl Best Art Vinyl radical[156] Appointed
UK Video Music Awards Best Dance Video "T69 Collapse" Nominated
Best Visual Effects in a Television Appointed
Best Animation in a Telecasting Nominated
2019 Classical Bulge Reader Awards TV of the Twelvemonth Appointive
Britisher Awards British Male Unaccompanied Artist Himself Nominated
A2IM Libera Awards[157] Marketing Genius Collapse Won
Video of the Year "T69 Collapse" Nominated

Discography [edit]

Studio albums as Aphex Twin

  • Selected Ambient Works 85–92 (1992)
  • Selected Ambient Works Volume II (1994)
  • ...I Care Because You Manage (1995)
  • Richard D. James Album (1996)
  • Drukqs (2001)
  • Syro (2014)

See also [delete]

  • List of ambient medicine artists

Notes [edit]

  1. ^ James has prerecorded nether a wide number of small known aliases, including Caustic Windowpane, Polygonal shape Windowpane, and the Tuss.

References [edit]

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  2. ^ "AFX - Information". Warping . Retrieved 8 October 2022. Richard D. King James is known most prominently As Aphex Twin Falls. Moment among his aliases, ahead of relatively fewer used tags like Polygon Window, Caustic Window, and the Tuss, is AFX.
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Outer links [edit]

  • Aphex Twin at Deflection Records
  • Aphex Twin at Curlie
  • Aphex Twin discography at Discogs Edit this at Wikidata
  • SoundCloud varlet: Aphex Twin

Where Can a Quiet Twin Window Fan Be Purchase

Source: https://en.wikipedia.org/wiki/Aphex_Twin

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